Collaboration: whatgrandmawore & whatsaroxy

This post is the second in a collaboration with whatgrandmawore and artist Roxy Van Bemmel, a project which sees Roxy visually interpret historical garments from online museum collections, whilst adding her own abstract and modern approach to object observation. Roxy van Bemmel painting of an 1818 evening dress from the Victoria and Albert Museum collection, … Continue reading Collaboration: whatgrandmawore & whatsaroxy

Underwater Wardrobe: The Uncanny Study of Tudor Clothing in Relation to the Dead in Museums

‘St Augustine says, “the dead are invisible, they are not absent.” You needn’t believe in ghosts to see that’s true […]. We sense the dead have a vital force still — they have something to tell us, something we need to understand.’ [1] The above quote was taken from Dame Hilary Mantel’s lecture The Day is For The … Continue reading Underwater Wardrobe: The Uncanny Study of Tudor Clothing in Relation to the Dead in Museums

Dior Takes London: Proud Central – A Review

One could be forgiven for thinking that they were trespassing into The Dior Collection exhibition, held at Proud Central, London, from the 7th Feb – 7th April 2019. Quietly situated a close walk from Charing Cross station down a side street, The Dior Collection is held in an intimate, cosy, peaceful gallery space away from the bustle of the … Continue reading Dior Takes London: Proud Central – A Review

Collaboration with whatgrandmawore and whatsaroxy: Fashion Illustration

This post is one of many in a collaboration with whatgrandmawore and artist Roxy Van Bemmel. It focuses on the interpretation of historical garments and textiles in an illustrated form, from a modern, abstract, and creative perspective. Roxy van Bemmel painting of an 1826 dress belonging to The Metropolitan Museum of Art, New York (2019). All … Continue reading Collaboration with whatgrandmawore and whatsaroxy: Fashion Illustration